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Welcome

Have you ever wondered what it would be prefer if Glinda in Wicked was a man, or if the Witch in Into the Woods was played by a kingly queen? Join us at 54 Below for A Gay’s Dream: Broadway’s Foremost Ladies with a Gender-Bent Twist, featuring male and nonbinary performers and performative artists performing songs sung by female characters in musical theater! Produced and directed by Toby Chernesky, this show celebrates the commonly felt desire to sing female songs appreciate “Defying Gravity” or “I’m Still Hurting” in a dazzling evening of diverse performances of your favorite leading ladies like you’ve never seen before! Audiences can expect a society celebration of queeress, all types of voices, spectacle and authenticity, up-and-coming performers and your favorite NYC drag artists, all wrapped up in a pretty bow bound to depart you gagged!

Music direction by Mason Margut.

Featuring:

Kiki Ball-Change (La Cage aux Folles at Barrington Stage Company, &#;Drag Me to Dinner&#;)
Dawson Blackburn
Alberto L. Blanco
(How the Grinch Stole Christmas national tour)
Toby

The Nazi Era: Overview Part II

In our second introductory episode, we focus on life in the Nazi concentration camps and extend a glimpse into the experiences of LGBTQ people in occupied countries during WWII as we proceed to set the context for the eight profile episodes to follow. Check in our episode webpage for additional resources, archival photos, and a transcript of the episode. For exclusive Making Gay History bonus content, join our Patreon community. ——— -The accompanying interview segments are from the archive of the USC Shoah Foundation – The Institute for Visual History and Education:  Walter Schwarze, © USC Shoah Foundation  Kitty Fischer, © USC Shoah Foundation  For more information about the USC Shoah Foundation, proceed here. -The Leo Classen excerpt is taken from “Die Dornenkrone: Ein Tatsachenbericht aus der Strafkompanie Sachsenhausen” (“The Crown of Thorns: A Factual Report from the Sachsenhausen Penal Company”), Humanitas: Monatsschrift für Menschlichkeit und Kultur 2, no. 2 (): -Audio of the interview with Josef Kohout used by permission of QWIEN,

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Gay Geographer

Indeed, Halford, the famed “Metal God,” felt secure enough in the ruse to carry the booklet in his back jeans pocket. The words “gay” or “homosexual” didn’t appear in its pages; readers in the perceive were compelled to translate a bit of gay lingo to access its materials, which provided plausible deniability should the erroneous sort of person go snooping. In the years when a closeted gay celebrity like Halford stood to lose his position in music if his sexuality became widely known, Damron, hailed as the “first name and last word” in gay explore , helped keep a secret being secret. 

Similarly, but decades later, when the New York theater organization Aquila went on a national tour of classic plays prefer Much Ado About Nothing, performer Louis Butelli counted on his Damron’s Address Book to spot gay watering holes and combat loneliness. Butelli attested to the New York Times that it was a “life-saving device.” Both Halford and Butelli represented the guidebook’s traditional target reader: the discreet gay man seeking fellow travelers, as it were, in unfamiliar settings.